My work emerges from an intimate observation of the world and from embracing every experience free of preconceptions.
I capture what surrounds and permeates me—people, bodies, objects, plants, animals, unplanned details.
I often move in close enough to fill the frame, stripping away the superfluous until only what carries intensity remains.
Sensuality is not my sole focus, yet I see it everywhere: in a gesture, a texture, a face, an unexpected flash of light.
For me, photography is a living archive in constant motion, where each image intertwines with others, shaping a single narrative body of emotions, obsessions, fears, desires, and connections.
A strict, religious upbringing continues to spark a profound curiosity for whatever challenges boundaries, urging me to seek and portray freedom.
My approach is direct and immersive: I do not document to explain, but to evoke—to make the viewer feel and to celebrate existence, contradictions and all.
I aim for the viewer to sense the physical presence of the scene and to encounter an emotional charge that can be both intense and disquieting.
My work belongs to contemporary fine art photography, informed by Petersen, D’Agata, Sobol, Goldin, Araki, and the raw atmospheres of a late-night blues or a Jim Jarmusch film.
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